Correct spelling for DEIDCATION

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Possible correct spellings for deidcation

  • dedication In her Dedication she expresses very distinctly her disgust for the absence of modesty among contemporary Frenchwomen.
  • deduction This is the condition of things established by Christ, and all that we have further to say as to the relation between the Two Powers is a deduction from it.
  • defecation
  • deification
  • depiction
  • desiccation
  • detection
  • detraction
  • dictation
  • diction
  • education
  • medication
  • redaction
  • Dedicating The writer himself, in dedicating it to the same Theophilus, expressly identifies himself with the author of the third gospel: "The former treatise have I made, O Theophilus, of all that Jesus began both to do and to teach."
  • Dedications Liszt, Franz, abuse of, in Germany, 3; affectation in his work, 157; alters harmonic minor scale, 163; amiability of, 21; amusing story of conversion, 320-326; anecdotes, 57, 58, 101, 142, 180, 221, 237, 243, 254, 255, 378; appreciation of Saint-Saens, 104, 105; as a teacher, 14, 23; as Abbe, 18, 50, 97, 267, 275; biographers of, 51, 55, 56, 101; birth of, 11, 12; birthplace of, 13; boyhood of, 13, 14, 300-305; in Budapest, 97; character of his music, 29, 30, 78; children of, 15, 16, 86, 359; chivalry of, 11, 34, 56; Chopin's obligation to, 6, 73-77; comment on his 13th Psalm, 194, 195; comparison of established symphonic form with that devised by Liszt, 140; compared with Wagner, 108, 143, 144; as composer, 1, 2, 13, 14, 20, 31, 35, 43, 52-56, 86, 90, 103, 144, 327, 377, 409-413; concerts of, 34, 212, 221, 223, 224, 230, 235, 248, 288, 292, 293, 302, 305, 319; as conductor, 2, 87, 135, 258, 377; conducts at Aix-la-Chapelle, 135; conducts in Berlin, 137; conducts at Prague, 136; conducts at Pesth, 94, 96; conducts in Rome, 94; conducts in Weimar, 88; conversation of, 258, 259, 276; court musical director (Weimar), 22, 46, 47; creator of the symphonic poem, 26, 27, 106, 139, 140; criticisms regarding, 2, 8, 14, 17, 21, 64, 153-158, 194, 360, 399; and the Countess d'Agoult, 14-16, 80, 81, 85, 391; daily mode of life, 99, 100; death of, 1, 2, 25, 280; dedications, 57, 100, 169, 172; description of his ideal of romantic religious music, 193; in England, 300-313; fascinating personality of, 45, 235, 236, 241, 246, 256, 257; feminine friendships of, 34-43; fingering, 74, 187; Freemason, 389; friendship with Berlioz, 212; friendship with Cardinal Prince Hohenlohe, 22; friendship with Chopin, 14, 40; friendship with Jean Auguste Dominique Ingres, 83, 84; and Marguerite Gautier, 40; generosity of, 24, 101, 257, 258; gifts from sovereigns, 328; greatest contribution to art, 4; hand of, 328, 339; illness of, 44, 135; impressionability of, 8, 10, 11; improvisations of, 82, 180, 181; indebtedness to Chopin, 76; influence of Berlioz, 17, 55, 411; influence of Chopin, 17, 145, 411; influence of gipsy music, 160; influence of Meyerbeer, 145; influence of Paganini, 17; influence of Wagner, 191; ingratitude of Schumann, 57; on instruments of percussion, 170, 171; interest in German art, 90; interest in Tausig, 362; interpretation, 87; interview with, 228, 229; intimacy with Prince Lichnowsky, 241-243; intrigues against, 22; introduces interlocking octaves, 77; introduces the piano recital, 71, 419; and Olga Janina, 41; lack of appreciation of, 31, 141, 229; and the Countess Adele Laprunarede, 37; letters of, 9, 35, 37, 44, 46, 92, 135, 136, 138, 143, 150, 169, 170, 171, 179, 194, 195, 197, 219, 279, 280, 289, 290, 394, 414; literary work of, 19, 20; in London, 300-313; loss of Piano Method, Part III, 358; love affairs of, 2, 3, 19-23, 36-41, 88; and Lola Montez, 40, 41; musical style of, 4, 181; musical imagination, 8, 146; notation, 187; number of compositions, 56; orchestral form, 194; orchestral instrumentation, 157; orchestral music of, 32, 123, 190; as organ composer, 401, 402; original compositions of, 412, 413; on origin of his Tasso, 115; on origin of his Orpheus, 121; parents of, 12, 14, 251; in Paris, 13, 24; patience of, 27; pedalling, 62, 99, 187; pen picture of, 57; personal appearance, 18, 82, 98, 204, 231, 255, 262, 269, 276, 296, 297; personal characteristics, 2, 3, 17, 66, 71, 327; pianoforte virtuoso, 1, 2, 8, 14, 16, 18, 43, 56, 73, 94, 106, 247, 251, 252, 420; piano music of, 10, 11, 53, 66, 123, 168, 187, 409-413; piano recitals, 82, 83, 179, 308-311, 419; piano reform, 91; piano of, 328, 340, 342, 343, 394; and the Countess Louis Plater, 37; playing of, 17, 60-64, 87, 99, 141, 161, 208, 214, 223, 224, 232, 233, 238-240, 253, 266, 277, 278, 285, 292, 314, 316, 421; plays Weber's Sonatas, 207, 208; plays at Berlioz's, 210; at Bizet's, 379; at court of Wurtemburg, 252; at Karlsruhe, 93; at Legouve's, 215; at Munkaczy's, 25; at Tolstoy's, 102; at Windsor Castle, 304; portraits of, 16, 18, 42, 261, 289, 338, 416, 417; prediction at birth of, 12; predominating artistic influences, 17; prophecy of, 100; public speaking of, 179, 213, 226, 227; pupils of, 24, 36, 42, 51, 52, 57, 91, 98, 185, 263, 353-388; alphabetical list of pupils, 353-358; reading of, 14; realism of, 67; reformer of church music, 2; religious fervor of, 89-92, 97, 98, 196; residences in and around Rome, 343; revolutionist, 142; romanticism of, 11, 14, 28; in Rome, 78-85, 89-97, 102; in Russia, 294-300; and Caroline de Saint-Criq, 36, 37; and George Sand, 39, 40, 247; and the Princess Sayn-Wittgenstein, 19-24, 43-51; Schumann's indebtedness to, 56; as song writer, 165-168; started new era in Hungarian music, 160; statues of, 13, 18, 220, 221, 332; success of, 13, 52; as teacher, 14, 97, 100, 209, 339, 358, 395-397; technique of, 34, 62, 70, 72, 152, 313, 402, 407, 421, 437; temperament of, 28, 29; tempo, 164, 165, 187; testimonials, 328; theological studies of, 95; theory of gipsy music, 20; thought his career a failure, 26; tirelessness of, 17; tomb of, 25, 58; the triangle, 170-172; tribute by Wagner, 23; variety of rhythms of, 31; versatility of, 51, 88, 144; on virtuosity, 392, 393; Wagner's indebtedness to, 1, 3, 5, 6, 9, 31, 55, 141-144; Wagner's praise, 9, 103, 142; wanderings of, 34, 70, 81, 85, 87, 93, 94-96, 97; in Weimar, 19, 23, 46, 47, 87, 88, 96, 169, 329; writing for solo and choral voices, 190.

450 words made from the letters deidcation

3 letter words made from deidcation:

dna, tec, ate, edd, ido, eon, end, edo, ect, doc, can, neo, ent, ten, dat, odd, nad, add, ton, ceo, dec, dit, net, tie, don, tod, nit, ade, cio, doa, cia, ice, ted, dot, aid, cot, nod, ddt, dod, ain, ida, ado, etc, tin, tia, cad, die, ani, ace, dad, nec, ant, dia, ode, iod, aec, ion, act, oat, den, not, din, oct, otc, tan, con, cat, eat, eta, tad, one, ded, doe, ane, tao, tea, toe, oca, oed, tic, tai.

5 letter words made from deidcation:

daten, daido, aidid, aoide, daito, canto, didnt, actin, dicto, dinde, nicad, cando, acned, indeo, ocain, idiot, dante, itoen, dinei, iinet, ecton, noded, icade, daden, aidoi, aiton, cinto, neddo, coati, iniad, teian, daini, adoni, danic, ciani, donta, aided, inetd, naide, canot, dande, denti, doten, addon, tocai, adeni, niota, addio, datin, tenco, doina, ditan, tondi, dodin, caion, einai, dinic, oncet, didao, octan, dendi, adeno, inadi, ndeti, dando, ndidi, tenia, nicot, indic, nitid, otaci, cotan, diode, caito, iodan, conti, intoe, cedit, aodin, diate, cided, canio, tanec, anted, toica, ionic, todea, danio, acide, tendo, conta, inced, iceni, teano, ticao, canid, eatin, tandi, aditi, aidit, diani, tonci, ation, addin, indec, noite, ionia, diaco, daiei, todde, anido, idite, edain, iteco, tined, todai, dieci, enact, ciano, adone, tiden, coden, nocte, diact, onate, dance, tonic, cient, odein, cione, canet, ocean, aceto, noted, citie, noica, oecad, iodin, cante, dotan, denio, atone, iaido, cioni, incae, caddo, einat, codde, ianto, tiano, nided, didot, deida, etian, tinea, acidi, caton, odden, coate, aidin, oaten, ciona, octad, canoe, etica, coted, ciena, tanco, cadet, dondi, aneto, naito, acone, tieon, anode, didia, toein, toned, tiida, tecno, atoni, tadid, tinca, toine, indie, ecoid, entia, teiid, antic, cinoa, didie, cnote, cinae, nicod, diena, taide, netco, eddin, iodid, iacon, dinda, dited, cinta, tiein, india, donde, ician, nidda, actio, tanii, didio, danto, atend, inite, otani, centi, ideon, dated, danco, edict, tinio, dicot, coade, nieto, oddie, idant, danti, nitai, natio, daoed, ontic, dindi, dedic, cotai, neato.

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Curicullum

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